For the Love of Fish (Tokyo, 31-05 24th Avenue)

We once ate at a vegan place in the East Village that had the best veggie burger ever. The ingredients didn't seem to be unusual, nor was the presentation -- there was something else going on that we couldn't identify. We asked the waiter what made the veggie burger so good.

"Love," he said. "If a cook comes to work angry, we send the cook home. The energy goes into the food -- food made with love tastes like love." Then he asked us if we'd like to "come upstairs for the service," and when we realized we were in a Hare Krishna den, we rama-ramaed outta there. But the lesson stuck: In our own home, we take care to prepare food with love (or at least not anger), and when a restaurant appears to do the same, we notice.

Tokyo, with its red-sheathed paper lanterns quietly heralding its location on the other side of the tracks from the Beer Garden, made us take this sort of notice. Its interior is that of a surprisingly old-school sushi restaurant -- surprising because we sort of assumed that pretty much every sushi restaurant in Astoria came about with the turn-of-the-millennium influx of Japanese students residing here. The worn posters of the Japanese landscape, the faded laminated sheets offering photos of what the different types of sushi are, the exceedingly polite waitstaff -- such things point to a restaurant that simultaneously needed to educate as much as appeal in order to survive.

Tokyo might never approach the technical levels of sushi mastery demanded at Manhattan restaurants that treat sushi as a competitive sport. Even in Astoria, Tokyo might take a technical-points silver to JJ's or Bistro 33, the latter of which boasts a minor brand-name chef. But -- jai guru dev om, everybody -- you can taste the love at Tokyo.

Which is not to say that its offerings are subpar on a technical level: They're not. The standard sushi offerings are all prepared well, but the house specials, the best of which are on the placards at every table instead of on the menu, are where the restaurant really shines (try the Jimmy roll, trust us). Even the warm sushi rolls, never our favorite, go down easy. What makes the sushi special is not the it's-swimming-in-my-mouth standard that seems to be prized by sushi lovers. It's Tokyo's creativity, care, and gentility that sets the restaurant apart.

And, yes, the love. One of us was to meet a friend for dinner once, and confusion about what "my sushi place" versus "your sushi place" (then the dearly departed Shima on Broadway) ensued. Our friend ran from Broadway to 24th Avenue in the February chill to meet us, arriving drenched in cold-weather sweat. Wordlessly, the waiter brought over a warm, damp washcloth for him to wipe his brow. It was a small gesture, but one that leaves a lasting impression.

Price In line with sushi; special rolls about $8.
Would we go again? Happily. We've never thought of sushi as comfort food until now.

The Grandest Tofu (JJ's Asian Fusion and Sushi Bar, 37-05 31st Avenue)

The Magazine That Shall Not Be Named, so dubbed because of its propensity for inducing status anxiety and making proclamations about the whole of the city that, in truth, only apply to a small set of middle-to-well-heeled Manhattanites, awarded JJ's Fusion the honor of best pot stickers in New York. We're always glad to see Astoria restaurants get their due but remain suspicious that there's some sort of outer-borough quota that the writers feel the need to fill. (At least they're not touting Uncle George's as the best Greek in New York.)

We'd be less wary if the heralded pot stickers lived up to the name. They're good, don't get us wrong, and original -- dumplings stuffed with tender soy beans, served with a wasabi cream sauce. But there's a reason soybeans are enjoyed one-by-one as edamame, as we found out when the beans took on a glue-like consistency when we bit in. They'd be better smaller, or with a sauce that didn't add to the paste problem -- cream is a dubious flavor carrier here, though it did nicely soften the wasabi punch. We also admit we can be skeptically ornery when the "Best _____ in New York" label is applied; we like to think that means we're merely open to the possibility of there being a better pot sticker in one of the city's 36,000 other restaurants.

Our cantankerous fits aside, JJ's is a delight. The Astoria roll, with crab meat and crunchy flakes, was topped with fresh salmon and an unidentifiable but delicious sauce. And the sushi was fresh and reasonably sized, well worth the risk of mercury poisoning. The basic rolls and sashimi we tried were of higher caliber than other sushi haunts in the neighborhood too -- the fish may not have been wriggling in our mouth, but close enough.

One of us used to get delivery from JJ's but had never dined there, so we knew going in that the food would be good. What we didn't expect was the rich yet restrained ambiance. "Romantic" lighting is too often just dim, but JJ's sleek paper lanterns hit the mark. Intricate geometric wood panels adorned the terra cotta walls. The music, that night showcasing a pseudo-Björk (or maybe it was Björk; we can never tell), managed to complement, not overwhelm, the gentility of the place. And though JJ's is small and was surprisingly full for a Wednesday night, we were hardly aware of anyone else there, feeling only the comforting satisfaction that comes from having picked a popular place without any special forethought.

It's a shame that outlets like The Magazine That Shall Not Be Named fingers restaurants like JJ's just for single items; the pleasure of dining there derives from the entire experience: the service, the mood, the sake, the food. Nestled at a perfect point on the continuum between neighborhood joint and destination restaurant, this is the kind of place that makes us sigh about our every-restaurant mission. We'd love to go back to JJ's soon, but every other sushi restaurant in Astoria calls.

Price: In line with neighborhood sushi; good value but not a total bargain.
Will we go again? We wish we were more prone to sushi moods, because we're eager to go back but have a helluva lot of places to venture into first.